Arts For All is excited to announce our 2014 Audience Project tour. This fall, we will be bringing a free, professional production of The Emperor’s New Clothes to over 2,500 in-need children in New York City. This production of the Hans Christian Anderson story was adapted by E Gray Simons III and presented at the Infinity Theatre Company in Annapolis, Maryland earlier this summer.
Please help us bring this show to as many children as possible by making a donation here.
By Robin Chan, Intern
July 28, 2014
Haiku: A Form of Art
Thanks to the generous and unwavering support of Amy Losak, Senior Vice President at Ketchum Public Relations in New York, 2nd grade students at PS 163 in the Bronx continued to explore the form of haiku during the last academic spring semester. Thanks to Amy’s support, we were able to continue the workshop series in haiku and the visual arts and add an additional program that focused on haiku and music. These programs celebrated the lyrical poetry of Amy’s late mother, Sydell Rosenberg, and also helped students develop literacy and arts skills through the lens of haiku. Rosenberg’s poems served as the foundational support for the students’ learning.
During lessons, students listened to selected poetry by Sydell Rosenberg and explored expression through a vast array of emotional and dynamical experiences. The program focused primarily on haiku revolving around nature, specifically the four seasons. Ultimately, various workshops led to the class composing and performing a song on the seasons based on Rosenberg’s haiku. Four verses of the song incorporated Rosenberg’s haiku, which are shared below:
Standing in the rain
two tree trunks tied together
by a spider’s web.
Hazy summer day
only yellow schools buses
and white butterflies.
Bare branches of bush
holding bright leaves the wind blew,
cupping two seasons.
Winter blizzard –
I donate a carrot nose
for the snowman’s face!
Several workshops taught by Arts For All Teaching Artists Robin Cannon Colwell and Darian Dauchan led to the realization of a song. Particularly, students first became familiar with the haiku form through Rosenberg’s poetry, and eventually composed some of their own. Upon understanding the lyrical form of haiku, they engaged in rhythmic exercises, such as clapping out the rhythm of syllables in poems. Students were encouraged to work together to come up with haiku tableaus, incorporating elements such as soundscaping. Towards the end of the semester, AFA Teaching Artists assisted in developing a haiku that served as the chorus, as well as an accompanying melody, to form an original song in which all students performed and recorded.
Here is the haiku written by the students that served as the chorus for their original song.
We would like to thank Amy Losak again for her support, teaching artists Robin and Darian for making this program a success and Clayton Colwell for engineering the song “Seasons Haiku.” As always, we look forward to continue providing our workshops to PS 163 students as well as to other schools!
By Robin Chan, Intern
July 9, 2014
Through our Literacy Through the Arts Program (LTA), 2nd Grade students from PS15 visited the Tenement Museum, a structure erected in 1863 that once housed working class immigrants. It is now devoted to revealing historical accounts of immigration in Manhattan’s Lower East Side. The students had previously visited the museum in December for The Tenement’s Meet Victoria school program, which introduced students to the historic figure Victoria Confino. Their past trip had significantly fueled their interests in both history and the arts, leading them to perform a play presenting Victoria as protagonist. Along with their maintained focus of Victoria as the central character in class activities, the students had imaginatively transformed her role and adapted her into the tale of Cinderella. The class developed their own fairy tale that incorporated details of Victoria’s experience as an immigrant residing in the Lower East Side during the 20th century.
Miriam Bader, Director of Education at the Tenement Museum, reflects on her experiences with the students, particularly on their performance in the play: “as the students activated Victoria’s story with their sounds and movements, I couldn’t help but think about what the real Victoria Confino would have thought about this development. I am pretty sure she would have liked their adaptation and cheered along with the rest of the audience.”
To read more about the day, review Miriam Bader’s blog post at http://www.tenement.org/blog/
June 9, 2014
Thanks to the generous support of our corporate sponsor, Capgemini, Arts For All was able to offer our 11th annual A Day at the Met field trip to over 70 children on May 10th. The field trip aims to expose children to the classics, inviting them to fully explore all the Metropolitan Museum has to offer. We serve different groups of children each year, and this year our participants were elementary students from PS 163 in the Bronx and teenagers from New Alternatives for Children. Approximately 96% of students in PS 163 live below the poverty rate, while NAC youth are living with medical disabilities and/or chronic illnesses. Students from both groups were eager and enthusiastic to learn throughout the day, evidenced by their active participation in art discussions. In reference to our volunteer organizer Renee Brown’s blog entry on last year’s event, “encouraging the enthusiasm and insights the students have for the art shown is an incredibly powerful
tool in fostering the continuation of excitement for the works of art and culture that they will continue to encounter as they grow and develop into adults.”
Here are some photos from the day. Arts For All would like to thank Capgemini for sponsoring the field trip and providing a team of enthusiastic volunteers. We’d also like to thank the dedicated Arts For All volunteers who donated their Saturday to help spread their love of art to the children we serve!
June 4, 2014
Meet our New Summer Intern: Robin Chan!
RC: I’m an undergraduate student at NYU, double-majoring in Art History and Economics with a minor in Studio Art. I was born and raised in Hong Kong and attended an international school from the age of four. I’m bilingual, proficient in English and Chinese (both Cantonese and Mandarin). I enjoy spending my free time creating art, jogging, photographing and volunteering.
AFA: What are three words that best describe you?
RC: Adventurous, spontaneous, and creative.
AFA: What interested you in becoming an intern at Arts For All?
RC: From a young age, I’ve been interested in serving the community, particularly families that face socioeconomic difficulties. Throughout high school in Hong Kong, I’ve regularly volunteered at local orphanage centers and elementary schools, teaching children both English and mathematics. However, I perhaps became most involved in community and service upon pursuing a research project on the poverty line in Hong Kong towards the end of my junior year that focused specifically on “cage homes.” The experience prompted me to develop a children’s picture book that aimed to educate the young community about the notion of giving to those in need.
I also greatly appreciated the arts, particularly music, dance, and visual arts amongst other artistic forms. From the age of five until my teenage years, I took piano, drawing, and painting classes. They gave me the opportunity to explore artistic expression and to cultivate creativity. I’m now 20 and still take studio art classes in college.
I wanted to continue pursuing my interests throughout college, and AFA’s mission most interested me. Not only would I be assisting in developing artistic opportunities to children in New York City, but also be working at an organization that incorporates some of my greatest interests.
AFA: Before becoming an intern at Arts For All, have you been involved with the organization?
RC: I was first introduced to AFA my freshman year through a community-and-service-based art club at NYU, Arts in the Community. In fact, the first club event I attended was with AFA: “The Day of Art” with New Alternatives for Children. My experience at the event was a remarkably positive one; it involved assisting children at various stations including dance, drawing, and arts and crafts. I then became more involved with AFA by volunteering at their annual Barnes and Noble Book Fair and Benefit Concert at Joe’s Pub. Finally here I am—interning at AFA over the summer!
AFA: What’s your favorite piece of art? Be it theatre, a painting, a song…and why?
RC: As an Art History major with a primary interest in painting and sculpture, it’s nearly impossible to pick several favorites, let alone one favorite piece. Narrowing down my selection to those two media, I would perhaps choose a work by 19th-century French painter Gustave Courbet. He went against the grain of societal attitudes towards the artistic expression of the human anatomy, which ultimately fueled his realization of the Realist movement. Amongst his impressive oeuvre of naturalistic large-scaled oil paintings, I particularly appreciate “The Stone Breakers.” It is a genre scene of social realism at the time, depicting two peasants, a young man and an old man, in the act of breaking rocks. Through his highly realistic painting style, he successfully informs viewers of the harsh working conditions of peasant workers in mid-19th-century Europe and attempts to raise awareness and garner help from the masses.
I also particularly appreciate the works of Jan Van Eyck, Jean-Auguste-Dominique Ingres Robert Campin, Piet Mondrian, and Keith Haring.
AFA: What do you hope to do after college?
RC: I intend on graduating in the Fall of 2015 with a Bachelors of Arts Degree in Art History and Economics. After college, I envision myself doing curatorial work at a museum or gallery in the city. I may even explore business marketing that involves fine arts. I hope to eventually obtain a Master of Arts degree in Art History.
By Arts For All Intern, Julie DeVito
Over the course of two days, over 500 teaching artists, administrators, parents, nonprofits, school teachers, and more gathered at the City College of New York for the annual Face to Face conference hosted by the NYC Arts in Education Roundtable. NYC Schools Chancellor Carmen Fariña delivered the opening Keynote and was introduced by current Manhattan Borough President Gale Brewer. Brewer has said that “we must commit to adequate funding in the arts, understanding that the arts are a discipline unto themselves that nurtures growth, and self esteem as well as active community participation.”
This conference hosted “two days of dynamic conversation about arts in education, with 36 breakout workshops and presentations” on various approaches to arts education (NYCAIE) designed to introduce participants to various approaches that can be taken in providing arts education. Participants were able to attend five workshops over the course of two days. These included “Shakespeare Education in the Age of the Common Core,” “Fostering Resilience Through the Arts,” “Creative Dance as a Catalyst for High School Choreography,” “Exploring and Addressing Common Core Standards Through Dance,” and “Unpacking and Communicating Arts Values for Special Needs Students.”
All of these workshops serve as examples of the variety currently present in arts education in the public schools of NYC, as ways to adapt to the disparities in education being provided in the schools by the schools and certified arts instructors. One of the common threads throughout the workshops and conference was finding ways to assess and document success in these approaches to arts education, something which is quite prevalent in the other academic fields.
One of my favorite workshops was “Fostering Resilience Through the Arts.” This workshop was hosted by members of Counseling in Schools that included Program Director David Kener, Arts Integration Specialist Christina Newbrand, and Drama Therapist Kristen Brookes. After Hurricane Sandy hit in 2012, Counseling in Schools brought arts and counseling programming to schools in NYC. In this workshop, participants were divided into groups and through active participation and arts-based activities learned the six Skills for Psychological Recovery. These skills are gathering and assessing, building problem-solving skills, promoting positive activities, managing reactions, promoting helpful thinking, and rebuilding healthy social connections.
Closing remarks at the end of the conference were given by NYC Comptroller Scott Stringer, who had released only the week before, a report entitled “State of the Arts: A Plan to Boost Arts Education in New York City Schools. The report showed that 28% if NYC Public Schools lack a full time certified arts teacher.
“The data is very clear,” Stringer said at the conference. “So the question for us is what do we do now? And how do we take reports, and enthusiasm, and activism, and turn it into something that will result in real fundamental change because we don’t want to keep coming back to the same conference. Imagine a two year old who by the time he gets to public school, there’s no more arts education? There’s no more art rooms, there’s no more creativity, there’s none of that. It gets cut off. And imagine if you live in the South Bronx or you live in Central Brooklyn, you have no chance for a robust arts education because the numbers don’t lie. People who live in certain zip codes have a shot at a real arts education, but so many of our kids don’t have that. We should redirect priorities, because if there’s ever a tale of two cities, or a tale of two neighborhoods, it comes down to this arts education work that has to happen. If you put money into arts education, we will have certified arts teachers and we will have art space in the public schools and if we do that, scores will go up, the economy will be strengthened and all of those children that we love so much will have the full New York education that includes a robust and strong arts curriculum.”